Bethany Christian Schools provides students with many opportunities to participate in performing arts. In addition to courses listed in the instrumental and vocal music sections, students may participate in various extracurricular opportunities. Middle school students can participate in a handbell choir or a drama. High school students can participate in a drama or musical. Over half of high school students choose to participate in Spring Arts Day, a day-long celebration of the arts and competition between classes in various fine and performing art categories. Our choirs receive first-place ratings at district contests and have earned some of the highest sight-reading marks in the state. Excerpts of some of their songs are available on the Vocal Music page.
[view:all_news_stories=2=Performing Arts]| Year | Play (HS) | Musical (HS) | Spring Play (MS) |
| 2011-12 | You Can't Take It With You | Joseph and the Amazing Technicolor Dreamcoat | TBD |
| 2010-2011 | I Never Saw Another Butterfly | Frog and Toad | Things My Mother Said |
| 2009-2010 | The Curious Savage | Sound of Music | Alice in Wonderland |
| 2008-2009 | All I Really Need to Know I Learned in Kindergarten | Rags | Willow Street Mysteries |
| 2007-2008 | Dead Man Walking | Godspell | Winnie the Pooh |
| 2006-2007 | Over the River, Through the Woods | The Adventures of Tom Sawyer | Zink |
| 2005-2006 | The Crucible | Brigadoon | Romeo and Juliet: Together (and Alive) at Last |
| 2004-2005 | Charley's Aunt | Working | The Princess Plays |
| 2003-2004 | The Chosen | You're a Good Man Charlie Brown | Things My Mother Said |
| 2002-2003 | Play On! | Cotton Patch Gospel | The Somewhat True Tales of Robin Hood |
| 2001-2002 | Do Not Go Gentle | Joseph and the Amazing Technicolor Dreamcoat | Stuart Little |
| 2000-2001 | The Foreigner | Amahl and the Night Visitors | Snow White |
| 1999-2000 | Twelve Angry Men | Fiddler on the Roof | Alice in Wonderland |
| 1998-1999 | January Thaw | Godspell | The Wizard of Oz |
| 1997-1998 | Quiet in the Land | The Sound of Music | James and the Giant Peach |
| 1996-1997 | The Orphans | Anne of Green Gables | |
| 1995-1996 | You Can't Take It With You | ||
| 1994-1995 | Lost in Yonkers | ||
| 1993-1994 | The Diary of Anne Frank | ||
| 1992-1993 | Nicholas Nicholby | ||
| 1991-1992 | Curious Savage | ||
| 1990-1991 | Our Town | ||
| 1989-1990 | The Miracle Worker | ||
| 1988-1989 | The Ready-Made Family | ||
| 1987-1988 | Up the Down Staircase | ||
| 1986-1987 | The Carpenter | ||
| 1985-1986 | Belles on Their Toes | ||
| 1984-1985 | Cheaper by the Dozen |
| Scenes from recent performances | |
Godspell![]() | |
Zink![]() | |
Emmaus is an auditioned performing arts troupe.
The class is designed to provide an additional opportunity for promising fine arts students to be stretched in new ways and to blossom into well-rounded artists. In some cases, this means that students who previously concentrated on musicianship will learn about acting and dancing and how to perform and interact with others on stage. Other students who have excelled in learning music and choreography will be introduced to arranging, teaching, and staging music.
This versatile performance group also provides exposure to the arts in the community, while promoting goodwill for the school. Emmaus will perform at a wide variety of venues, from public elementary schools, to Sunday morning worship services, to a casual performance at the Electric Brew. The challenge is developing material that appeals to every age group, to be adapted for both secular and religious settings, and to have elements of both performance and interaction.
In the fall students participate in workshops in Orff (a philosophy of music), group and stylistic singing, playing musical instruments (from the ukulele to found objects), story-telling, improvisational theater, tap, ballet, clogging, STOMP-style dance, and musical theater history. However, the class is designed to draw upon and cultivate the gifts of the students. This is very student-led and student-directed with the teacher facilitating the process. Students will write, direct, and choreograph their shows that they perform in the community.
The 2011-12 troupe has chosen "Stand Up" as its theme. The show will move from an understanding that all is not right in the world and end with a call to stand up in the face of injustice for yourself, for others, and all together. Pieces they will be incorporating into their performance include: "Hey Little Ant" (Phil and Hannah Hoose) and "The Principle (John McCutcheon), "Horton Hears a Who" (Dr. Seuss), "One Voice" (Wailin' Jenny's), "Can't Stand Up Alone" (Jesse Winchester), and "Sing" (My Chemical Romance).
[view:eventlist=100=Emmaus]
| 2012 | Stand Up |
| 2011 | Color Outside the Lines |
| 2010 | Calming the Storm |
at The Electric Brew Feb. 5
Bethany’s new performing arts troupe, Emmaus, will be performing at the Electric Brew 5-8 Friday, Feb. 5, as part of Goshen’s First Fridays. They will be performing parts of their regular program as well as other interactive pieces, improvisation games, and group story-telling.
Troupe members include: Emma Caskey, Sara Erb, Emily Grimes, Taek Guan, Karsten Hess, Mikey Kelly, Sara Klassen, Clarissa Lora, Ben Mast, Anna Nafziger, J.D. Nafziger, Emily Shenk, and Blake Shetler. The group is taught and directed by Talashia Keim Yoder.
The theme of this year’s program is “Calming the Storm.” The 30-minute show follows the theme of the storms of life, starting with a more harsh visual and aural storm and a litany of personal storms, asking the question “Where is God?” After coming through the storm, the pieces follow the relief and happiness of being at the other side of the storm. The conclusion begins with the realization that “God is in the storm.” The show ends with learning to dance and have joy in the storm.
Emmaus is an auditioned performing arts troupe started this year as part of the new music program plan. One purpose of the class is to challenge some of our top performing arts students in ways they may not otherwise be stretched—to make them well-rounded artists. In some cases, this means that students who previously concentrated on musicianship will learn about acting and dancing and how to perform and interact with others on stage. Other students who have excelled in learning music and choreography will be introduced to arranging, teaching, and staging music.
Another purpose is for Bethany to have a versatile performance group that can provide exposure to the arts in the community, while promoting goodwill for the school. Emmaus will perform at a wide variety of venues, from public elementary schools, to Sunday morning worship services, to a casual performance at the Electric Brew. The challenge is developing material that appeals to every age group, to be adapted for both secular and religious settings, and to have elements of both performance and interaction.
In the fall Talashia, with assistance from other experts in the community, led the students in workshops in Orff (a philosophy of music), group and stylistic singing, playing musical instruments (from the ukelele to found objects), story-telling, improvisational theater, tap, ballet, clogging, STOMP-style dance, and musical theater history. However, the class is designed to draw upon and cultivate the gifts of the students. Talashia says, “This is very student-led and student-directed. I basically facilitate the process and help them to know what to consider and think about. My work is on the foundational level, rather than on the details of the performance. The challenge for me was to lay out a process that would allow all of this to happen.”
After a careful brainstorming and processing, the group unanimously chose the name Emmaus. They liked the biblical story of the road to Emmaus: the idea of a journey, of God with us, of the incarnation of Christ. Another big decision was choosing the theme for the year. After creating a list of 30 ideas, the group decided on “Calming the Storm.” Their next step was coming up with pieces to make up the show and organizing them to create a sense of story and flow. Then the troupe put themselves in small groups to arrange and teach each piece.
“The joy of doing things in this way comes especially in the ownership the students have in what they are doing,” says Talashia. “They are very personally invested in all of this, and I think that comes through when they perform. On my own, I never could have come up with what they are doing. It’s creative, from the heart, and meaningful in a way that you can’t just teach.”
The theme of the 2010-11 program is “Color Outside the Lines,” which is inspired by Harry Chapin's song "Flowers Are Red." The program begins with a piece that represents the status quo--it's nice to watch, but not particularly exiciting or colorful. The program then transitions into stories of people just being themselves and celebrates the freedom that can come with being who God created us to be. The program concludes with a series of pieces that celebrate what happens when each individual contributes of themself to the broader community.
Troupe members include: Jesse Bontreger, Sara Erb, Sadie Gustafson-Zook, Ben Mast, Chris Minter, Lucas Morgan, Anna Nafziger, Emily Shenk, Blake Shetler, and Leslie Weaver. The group is taught and directed by Talashia Keim Yoder.
Excerpts from their last performance of Color Outside the Lines.
View Emmaus performing stomp dance and country line dance at Mennonite Church USA joint convention.
The 2011-12 troupe has chosen "Stand Up" as its theme. The show will move from an understanding that all is not right in the world and end with a call to stand up in the face of injustice for yourself, for others, and all together. Pieces they will be incorporating into their performance include: "Hey Little Ant" (Phil and Hannah Hoose) and "The Principle (John McCutcheon), "Horton Hears a Who" (Dr. Seuss), "One Voice" (Wailin' Jenny's), "Can't Stand Up Alone" (Jesse Winchester), and "Sing" (My Chemical Romance).
Singing Valentines: Emmaus will be performing singing valentines on Wednesday, Feb. 14. The cost is $5 and includes two songs with the option of including a message on a card. Recipients need to be within 3 miles of Goshen. To send a singing valentine, return the registration form with $5 to the school by Friday, Feb. 10.
Troupe members include: Jean Ahn, Jesse Bontreger, Sara Erb, Sadie Gustafson-Zook, Josh Helmuth, Hanna Hochstetler, Lucas Morgan, Anna Nafziger,javascript:void(0); Parth Patel, Ben Rudy-Froese, and Wade Troyer.
The instrumental music program offers classes (course descriptions listed below) and private instruction for beginners and advanced students. The annual Mennonite regional orchestra festival provides an opportunity to perform with musicians from other schools. For more information about the instrumental music program, you may download a pdf copy of the Instrumental Music Handbook.
The handbell choir at Bethany is a group of ten to twelve ringers selected by audition in August. Students perform in four settings throughout the year. Classwork focuses on sight reading, eye-hand coordination, understanding handbell notation, and mastering bell ringing techniques. Literature includes hymn and arrangements appropriate to various themes and church settings. Problem solving, performance techniques, sight reading, mastery of rhythmic coordination, through group bell ringing, all enhance the musical development of each student. The strengthening of right brain and left brain connections enhances the learning in all academic and physical learning settings. Handbell Choir is a co-curricular activity.
A course for all students in grade 6 wanting to learn to play a woodwind, brass, or percussion instrument. Students are introduced to the range of instruments available for study. After acquiring an instrument, the course begins with the basics and develops skills in a sequential fashion. The course focuses on playing the instrument and basic skills in music literacy. Students are encouraged to develop individual playing skills alongside their ensemble participation.
This class combines strings, woodwinds, brass, and percussion instruments into a performance ensemble. Students explore a variety of musical styles. The ensemble demonstrates course outcomes through specific pieces performed at the Christmas and spring concerts. Course content is concentrated around string orchestra and wind band performance with some combined material.
The jazz ensemble, Bruin Jazz, introduces students to a uniquely American style of music. Students experiment with various forms of jazz music including ragtime, Dixieland, big band, swing, bebop, cool jazz and latin jazz styles. Instruction is provided in written and improvisational solos. Students advance their skills in rhythm and musical interpretation. Studying jazz music, a uniquely American form of music, also gives some insight into US History and the ways people responded to their circumstance using creative outlets, such as music. Performing in an ensemble also allows students to work together toward a common goal, and to enjoy the rewards of a disciplined, team approach.
This a performance-based ensemble comprised of string, woodwind, brass, and percussion instruments. Students rehearse and perform various styles and levels of music. The orchestra rehearses in a “sectional” format with winds and percussion meeting twice per week, strings meeting twice per week, and the full orchestra meeting three times per week. In addition to school concerts in fall, Christmas and spring, the orchestra participates in the Midwest Regional Mennonite Orchestra Festival each spring. Hosted on a rotating basis, Bethany will host in spring 2013.
All students in grades 6-9 take choral music and students in grades 10-12 can choose further training and performance (course descriptions listed below). The annual Mennonite high school choir festival provides an opportunity to perform with musicians from schools throughout the U.S. and Canada. Students also have opportunities to learn to lead worship in chapel, participate in school musicals, and take private lessons. The select high school choir has received first-place ratings at district contest each year since 1997.
This exploratory class invites students to discover the language of music, tools for composing, history of our present contemporary styles of music (both sacred and secular), with hands on creating and visual expression of music. In a rapidly changing culture, students experience music in worship and recreational forms. With a limited exposure to diverse styles, this class enables students to see music broader than their personal tastes. Students become active listeners and participants in creating and understanding music through a lens of faith, structure, and culture, making music relevant to their life experiences beyond passive listening.
Self-expression is an important part of development. Seventh and eighth grade students need music tools to navigate through the vocal changes happening within their own physical and psychological development. Students are challenged to find their own voice. Through creating music students develop the ability to listen, respond, and problem solve. By making connections between their own lives and music, students learn the relationship between faith and music, as well as their daily use of music in an ever-changing culture.
Semester 1: This exploratory class invites students to discover their own voice, experience singing in a group, with a cappella and accompanied literature in a gender specific setting. Activities in this class include singing, hands-on creating and composing, and experimentation with the voice. Instruction is designed to enable students to connect, examine, imagine, define, try, extend, refine, and integrate music study into other subject areas. A limited number of public performances serve as a culmination of daily rehearsal and music goals. Students must participate in performance opportunities, outside of the school day, that support and extend classroom learning.
Semester 2: A continuation of semester 1 for students desiring further vocal learning, but in a combined-gender class. Instruction is designed to enable students to connect, examine, imagine, define, try, extend, refine, and integrate music study into other subject areas. A limited number of public performances serve as a culmination of daily rehearsal and music goals. Students must participate in performance opportunities, outside of the school day, that support and extend the learning in the classroom.
Chorus classes provide instruction in creating, performing, conducting, listening to, and analyzing music, in addition to focusing on the specific subject matter. Students develop the ability to understand and convey the composer’s intent in order to connect the performer with the audience. By making connections between their own lives and music, students learn the relationship between faith and music, as well as their daily use of music in an ever-changing culture.
Students develop musicianship and specific performance skills through large and small ensemble singing in gender specific classes for one semester. Activities develop quality repertoire in the diverse styles of choral literature appropriate in difficulty and range for the students. Instruction is designed so that students are enabled to connect, examine, imagine, define, try, extend, refine, and integrate music study into other subject areas.
Through singing, students express themselves creatively, while acquiring knowledge of reading music, and creating music from varied traditions and cultures equips them to learn and experience new music independently throughout their lives. The ability to listen with understanding provides students with a broad cultural and historical perspective. The skills, knowledge, and habits developed in the study of choral music equip students to create and enjoy music, as well as develop a lifelong appreciation for aesthetic values.
Students develop musicianship and specific performance skills through ensemble and solo singing. The Concert Choir is composed of mixed chorus singing of a cappella and accompanied literature from the Renaissance to the present century. Instruction is designed to enable students to connect, imagine, define, try, extend, refine, and integrate music study into other subject areas. Coursework provides instruction in creating, performing, conducting, listening, analyzing, and focusing on specific subject matter. Students develop the ability to understand and convey the composer’s intent in order to connect the performer with the audience.
The choir performs in local churches, district choral contest, and takes an annual tour. Each April the choir joins twelve Mennonite high schools across Canada and the U.S. for the Mennonite Schools Council choir festival. Participating schools host the event on a rotating basis.
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[view:eventlist=100=Music and Drama BCS]
[view:eventlist=100=Music and Drama HS]
[view:eventlist=100=Music and Drama MS]
[view:eventlist=100=Emmaus]